Constellation: Alice Notley

Curated by Carol Watts and Edmund Hardy

                  “‘As - I - say - a - word,’” “she said again”
“but in a” “staccato way,” “a - new - star - appears’” “And at
each word she said” “a point” “of light appeared”

                        - Alice Notley, The Descent of Alette, p.99

[#] Carol Watts and Edmund Hardy: Introduction

In The Pines

[#] John Hall: Beginning to read Alice Notley’s In the Pines

[#] Steve Willey: The Sounds of the Pines

[#] Catherine Wagner: On ‘In The Pines’

[#] Michael Peverett: Alice Notley, “In Forgetting”

[#] Pansy-Maurer-Alvarez: This Plot, This Place

[#] Elizabeth James: ‘Our violent times’: reading notes

[#] David Kennedy: This Is Not Poetry #27

From 165 Meeting House Lane to Margaret & Dusty and after

[#] Lisa Samuels: Words for Alice Notley

[#] Ian Davidson: Bodies, near and far: Alice Notley

[#] Sophie Robinson: ‘Incidentals in the Day World’

[#] Susana Gardner: “Alice ordered me to be made”: As deconstruction of hearts or,- a hand of broken sonnets

[#] Steven Waling: Alice Notley’s ‘January’: An Appreciation

[#] Lynne Hjelmgaard: Notes on Alice Notley’s ‘Desert For All Of Music To Take Place’

[#] Elizabeth Bryant: A response to Alice Notley’s ‘Sweetheart’

[#] Dana Ward: That Alice Notley & Jay-Z & Dana Would Speak Through The Imperfect Media of Dana

Mysteries of Small Houses

[#] Carol Watts: On ‘Would Want to Be in My Wildlife’

[#] Jon Clay: Alice Notley’s ‘A Baby Is Born Out of a White Owl’s Forehead – 1972’

[#] Peter Middleton: “101” from Mysteries of Small Houses

[#] Amy Hollowell: After Alice Notley’s “1992,” from Mysteries of Small Houses

[#] Jen Currin: After “Remember What I Came Here to Do to This World Very Little Actually”

[#] Sarah Hopkins: Response to Alice Notley’s ‘Lady Poverty’

[#] Elizabeth Treadwell: After ‘Beginning with a Stain’

The Descent of Alette

[#] Caroline Bergvall: Alette in the Subway

[#] Zoë Skoulding: Notes on ‘A red-lined map’: The Descent of Alette

[#] Piers Hugill: Materials for a reading of ‘“I stood waiting”’ from The Descent of Alette

[#] Melissa Flores–Bórquez: Notley, Monteverdi & Infinite Negativity

[#] Claudia Keelan: Poet of Prophecy: Our Anti-Saint Alice Notley

Alma, or the Dead Women

[#] Ralph Hawkins: ‘Radical Feminist’ from Alma, or The Dead Women

[#] Tim Allen: and if it’s its it’s true: Some thoughts on Alma, or The Dead Women by Alice Notley

[#] Jennifer Cooke: Alice Notley’s ‘Decomposition’

From the Beginning

[#] Edmund Hardy: Alice Notley’s From the Beginning: To a poem’s unreason

Above the Leaders

[#] Stephen Mooney: On Above the Leaders

[#] William Rowe: Alice Notley: A Poem from Above the Leaders

Negativity’s Kiss

[#] Redell Olsen: 3 Selections from “Negativity’s Kiss” by Alice Notley

[#] Alice Notley: Ten poems from Negativity’s Kiss

Constellation: Alice Notley

This Constellation is a collaboration between Birkbeck Centre for Poetics, Openned and “Intercapillary Space”.

[#] Main Birkbeck Notley page
[#] Openned Video Constellation of Notley reading at Birkbeck, May 2008
[#] Return to top of this page

The Notley collage image used throughout the Constellation is by Susana Gardner

The Openned video constellation was filmed by Stephen Willey, page design and blog design by Alex Davies & Stephen Willey, special thanks to Adrian Tribe at Birkbeck

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